Antiker Stuhl mit Rahmen aus massiver Eiche, Sitzfläche aus Binsengeflecht und geschnitzter Rückenlehne.

Frido Witte Chair No. 21 (around 1908) #2

Date:

Around 1908

Dimensions:

H x W x D - 93,9 cm x 47,4 cm x 48 cm

Seat 46,2 cm x 46,5 cm x 41 cm

Designer:

Frido Witte (1881-1965)

Manufacturer:

Ernst Habermann, Soltau, Lüneburger Heide, Germany

Material & Technique:

Solid oak frame, dark lacquered; seat woven with rush.

Restoration Methods:

Surface cleaning

Price: 2.400,00 €
(Tax included)

Description

The North German artist Frido Witte is now primarily known for his paintings, watercolors, and graphics featuring motifs of the Lower Saxon landscape and rural life. However, at the beginning of the 20th century, he also made a name for himself as an architect and designer of artistic objects, similar to his role model Heinrich Vogeler. Among Witte's creations is this simple yet thoroughly designed chair with rush weaving and wonderful carvings, which showcase Witte's craftsmanship.

Antiker Stuhl mit Rahmen aus massiver Eiche, Sitzfläche aus Binsengeflecht und geschnitzter Rückenlehne.

Historical Context

Arts and Crafts: Parallel to the onset of industrialization and increasing machine production, the Arts and Crafts Movement began in Great Britain in the second half of the 19th century - a counter-movement that focused on artistic design and production. Artists, designers and architects attached great importance to the quality of craftsmanship and the appropriateness of materials and rejected historicizing exuberance and stylistics. In the field of furniture design and interior architecture, the arts and crafts pursued a clear design, for example through sparse geometric decoration. The result was authentic furniture that was both beautiful and robust. The Arts and Crafts movement spread increasingly in Europe and the USA from the 1880s onwards with designs by William Morris, H. M. Baillie Scott and Charles Rennie Mackintosh, which continued the aesthetic characteristics and ideals.